Story

My journey with clay began in 2012, learning under a Taiwanese master hand-builder who introduced me to the slow, meditative process of working with my hands. From there, I explored wheel throwing—mesmerized by how a lump of clay could transform into something useful, expressive, and alive.

I’ve always been drawn to making functional ceramics, especially tea bowls. There’s something timeless about their form—simple, humble, and steeped in tradition. They feel welcoming, grounded. I love the way clay responds when it’s soft and wet—how it moves, slumps, resists, and surprises. I often embrace asymmetry and the unexpected, finding beauty in what some might call imperfections. To me, these marks and moments tell the real story of the piece and make it much more interesting.

That approach feels natural to me—reflecting my personality. I don’t aim for perfection; I aim for something human and alive. And I feel most fulfilled when my pots find a place in someone’s home and become part of their everyday rituals.

Ceramics is a lifelong pursuit. There’s no final destination—only deeper discovery, more learning, and the quiet joy of shaping earth into something that might matter to someone else.